Showing posts with label women's lit. Show all posts
Showing posts with label women's lit. Show all posts

Review: The Good Luck Girls by Charlotte Nicole Davis

The Good Luck Girls (The Good Luck Girls, #1)The Good Luck Girls by Charlotte Nicole Davis
My rating: 5 of 5 stars

I've typed and erased and typed and erased and I just can't express how good this book was besides that it was soooooooo GOOOOOOOOOOOD. And since it's a debut, I'm doubly surprised and in love! Also, that cover - fierce Aster!

There's so much to unpack with the nature of trauma, reactions to it, and the differences between the two girls who actually experienced being prostitutes and the three who were about to but escaped before it happened. Aster shrinks back from men, and Clementine is drawn immediately to one. Violet is cold and closed-off because she feels that's what she needs to be to survive. Take care of yourself first, is her motto. I really enjoyed watching her character progression as she got further away from the Welcome House. I wish we could have seen a little more into her head too.

A couple characters fell flat (I felt like by the end Clementine was just kind of shrinking back into a tropey maiden in distress, and Tansy and Mallow seemed, admittedly, a bit superfluous after a while), and the ending happened to quickly after everything we've been through. So those were the downsides for me. But everything else was really really good. Like, the raveners are the only ones who can use magic, and it's all evil and used to torture people (or track people). They are mortals who eventually lose their souls because the work is so evil. And then there are the different types of "ghosts," some that are harmless and others that will rip you to shreds. And the setting itself - we're talking Wild Wild West saloon stuff, and even the cover gives off that vibe. I got very entrenched in the environment, hearing the voices in my head, seeing what was happening. The whole thing was very visual for me, very cinematic. I wasn't just reading it, I was experiencing a lot of it with the characters.

I wish we had gotten a little closure on one of the characters, but since I see that it's book #1 of a series, I guess book #2 is going on my TBR list.

Thank you to Bookish First and the publisher for a free ARC for review purposes. My opinions are my own.

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Review: Unmarriageable by Soniah Kamal

Unmarriageable: A NovelUnmarriageable: A Novel by Soniah Kamal
My rating: 3 of 5 stars

I received a free e-copy of this book from NetGalley for review purposes, and I also won a paperback ARC from the Goodreads First Reads program.

The high-starred reviews on this one got me really excited. I'm a sucker for Austen, and I know P&P like the back of my hand. Which made this... disappointing. Here's the thing. It was a really good book. I enjoyed the feminism and the characters' forward-thinking opinions (well, some of them anyway). I loved the writing style, and I even like how Kamal really explored Alys' change of heart regarding Darsee, instead of leaving it to feel like she was wowed by his awesome house.

But despite all of that, I could *not* get past the fact that this was a literal retelling of the story I know and love, complete with similar-sounding character names and some even identical situations. My biggest problem is not that it was just a retelling, but that it was a retelling that CONSTANTLY referenced P&P and Austen, and yet the main character did not seem to realize she was freaking LIVING P&P! She talks about it all the time, but never once thinks, "Hm, I feel like I know how this is going to end because my life and everyone in it is exactly like this book I'm obsessed with..."

This would have been a four- or even five-starred review if the book didn't reference Austen at all. It was so amazingly similar that every time Austen was mentioned it threw me out of the story and back into the original. And in that respect, the Bollywood movie Bride and Prejudice did it much better. Yes, it was super cheesy. But there was no Austen reference, so I wasn't sitting there wondering why all the characters were so damn dense about it. (Plus, we got the Mr. Collins character and his "No Life Without Wife" hand gestures, and the ridiculous song, which are arguably the best things about that movie. So there's that.)

That said, if none of what I said above bothers you (and apparently it didn't bother a bunch of other P&P fans, so to each his/her own), then by all means, read and enjoy. I liked it, but because it constantly referenced its primary source, I couldn't love it.

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Review: The Dream Lover

The Dream Lover: A Novel of George SandThe Dream Lover: A Novel of George Sand by Elizabeth Berg
My rating: 1 of 5 stars

[Disclaimer: I received a free e-copy of this book from NetGalley.]

I'm afraid I don't have anything good to say about this book. I was bored through almost the entire story. The frequent back-and-forth in time was disruptive, where it could have been a bit more natural. When the two timelines met around 80%, the book started skipping forward vast amounts of time. Some authors make this work (one of my favorite series is told by skipping around in time). With this book, it did not work. It would have been much better in linear format.

I was bored by the story, and by the persona of George Sand herself. I felt it was bordering on the ridiculous, even if it were completely historically accurate, that she fell in love with essentially every man she ever met, and slept with him too. Now I'm not criticizing her for that, a woman is welcome to do whomever she pleases in my book; rather, I disliked the character that was given to her - petulant, irksome, unlikable, and yet every man she met threw himself at her. It made absolutely no sense to me. She was also incredibly inconsistent. I really tried to put this down as an historical rendering of someone who was truly like this, but in the afterword the author mentions that there are so many conflicting accounts of who she really was and what she was really like, that I have to take the character as someone almost entirely fictionalized, picked and chosen from the various accounts and with whom the author did what she would. In that respect, she was not believable at all to me as a character.

Others have said similar things, and I find myself in agreement with many of the one- and two-star reviewers on Goodreads. One person said it felt like more of a daily journal, and in that respect it certainly was. "That day I went there, and had an argument with this person, and then we made love, and then we went out to eat. The next day he left me and I decided to move back to Nohant. And then I was bored at Nohant and decided I didn't like anyone anymore and moved back to Paris to beg him to come back." It was, again, ridiculous.

I have heard only good things about Elizabeth Berg in the past, and was very excited to read this. Some reviewers have said that her other works are much better, however after reading this I am very hesitant to give one of her others a shot. I do not recommend this book.

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Review: NW

NWNW by Zadie Smith
My rating: 3 of 5 stars

I don't really know what to say. It was so hard to get through this book, so hard to really get at the meat of what Smith was trying to say. Is it because I read it on my own? But I read On Beauty on my own, and loved it. This one didn't quite speak to me the way On Beauty and White Teeth did.

That's not to say it's not a great book. I really think there's something special about it, about its format and content and the storytelling styles of each of the three major parts. Maybe I just didn't get it. Someone else said it was a book about language, and I can see that, since language itself defined the characters. Smith got dialects down so well I could hear them in my head with absolutely no trouble. Miscommunication and other language failures reared their ugly heads throughout. But I still can't say I "got it."

Keep writing, Zadie Smith, because you are truly brilliant. And forgive those of us who can appreciate the story but be left a bit confused at the end. I think I understand you much better in an academic setting, with people who will discuss the work with me, rather than alone in my bedroom going, "huh?"

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National Women's Day

I'm not big on the whole "National (Whatever) Day" thing considering every day is a National Something Day.  I wonder if there's a National Walk Your Dog Day.  But I did see one article that made me think, and truly appreciate women in this culture that seems to be regressing back to the idea of women as property.  (That's an aside that's neither here nor there, just thought I'd throw it out there.)

This article on Flavorwire lists 10 kick-ass female literary characters, some of which I agree with, and some of which are arguable.  I disagree with Hester Prynne, only because I really hated that book.  She may have come out with her head held high, but I never really read her as a strong woman.  I also admired Jane Eyre, but didn't particularly enjoy her as a character.  Considering she falls for a man who lacks any real redeeming qualities, it bothers me that the book garnered so much critical attention.  Granted, it was very daring for its day, but meh.  I preferred Wuthering Heights.


So let's see, who would I count among my top 10 kick-ass strong literary women?  Let me ponder this.


1. Fanny Price, of Mansfield Park by Jane Austen.
 Why:  Fanny is, in my opinion, Austen's "new" model of the True Woman.  In an era when women were married off for money or family alliances, had no say in their own lives, and were expected to be meek and submissive, Fanny shines as an example of having a will and mind of her own while remaining true to herself and faithful to her family.  She refuses to get in the way of her cousin's happiness even though his happiness would cause her grief, and she also refuses the hand of a man she knows to be a rake despite the knowledge that she disappoints her uncle.  I admire her strength, standing fast until her knowledge of her suitor is exposed, and it is fitting that she then gets what she truly wants: she gets to marry her love.


2 & 3. Hope Leslie and Magawisca, of Hope Leslie by Catharine Maria Sedgwick
Why: Well, Goodreads' summary of the book says it best.  At the center of the novel are two friends whose actions and attitudes illustrate female strengths and values. Hope Leslie, a spirited thinker in a repressive Puritan society, fights for justice for the Indians and asserts the equality of the sexes by defying the patriarchs and choosing her own husband. Magawisca, the daughter of a Pequot chief, braves her father's wrath to save a white man and risks her freedom to reunite Hope with her sister, who as a child was captured by the Pequots and has chosen to remain with them.  Sorry I didn't write it, but I really liked the way they put this.  These two characters stand up for what they believe in during a time when it was dangerous for women to speak out, especially for Native American women.


4. Isabella Linwood, of The Linwoods by Catharine Maria Sedgwick
Why: CMS makes a second appearance on my list because of her penchant for writing strong female characters.  Her literature was based around a reformation of the True Woman, her stories about strong women replacing the old True Woman.  Isabella is one of my favorite female characters because of her strength in defying her father, a Tory, and defending her brother, a Rebel.  She puts herself in mortal danger through her political activity, and for that she replaces her weak-minded friend Bessie as the new True Woman.  Also, I love this book so much because of how subversive it was in its commentary about women and society.


5. Sophie, of Howl's Moving Castle by Diana Wynne Jones
Why: Sophie is one of the most powerful female characters in literature simply because she keeps going on, driving the story and her own life.  She is turned into an old woman by the Witch of the Waste and yet she goes on a journey to get her own body back.  She saves her love, and she saves others who have fallen under the power of the Witch.  She is a character toward whom other characters gravitate.  She has attitude and spunk and she gets her sh*t done!  Also, in sequels to the novel, she does a great job at keeping her family safe and rescuing them from harm.  Gotta love Sophie, she is one kick-ass chick!


6. Jill, of The Deverry Cycle by Katharine Kerr
Why: Jill, through all of her incarnations in this epic fantasy series, always manages to show her inner strength.  She finally comes to terms with who she is (a powerful Dweomermaster) and devotes her life to the Dweomer, giving up the man she loves and the life she used to lead to become someone dangerous.  She is a character I have admired for a long time, and have always felt her strength as an inspiration to myself.

7. Guiwenneth, of The Mythago Wood Cycle by Robert Holdstock
Why: Guiwenneth, and her forms that appear throughout the cycle, is a warrior woman who is so attractive to the men in the books that they follow her into Ryhope Wood, getting lost in its interior world and living through some of her myths.  I've always admired her ability to take care of herself, remaining strong in the face of death and fear, and protecting those she loves from danger.  Even though she is herself a Mythago, she is one of the most substantial Mythagos created from the wood and reappears in very significant ways.  I appreciate her as a strong and kick-ass woman.

8. Antigone, of Antigone by Sophocles
Why: Antigone is possibly one of the earliest strong female characters because of her challenge of politics and morality in ancient Greece.  This play is required reading in many schools, especially the ones I went to, and hats off to those schools!  If young girls pick up on even a portion of her determination, it's a good thing.  Her fight to bury her brothers properly, and defiance of the king of Thebes, lands her a death sentence.  Instead of fighting it, running away, weeping or falling apart, she faces her fate and dies with dignity and power.  Her death shows how important her fight was.

For my last two, I'm going to agree with the article I linked.

9. Lisbeth Salander, of The Girl With the Dragon Tattoo by Stieg Larsson
10. Katniss Everdeen, of The Hunger Games by Suzanne Collins

Who would you put in your top 10?

Review: The Shadows Between Us by Tricia Levenseller

The Shadows Between Us by Tricia Levenseller My rating: 3 of 5 stars OK. I'm going to come at this from the angle that everyone (exc...